WINNIE CHEUNG 張詠衡 SITE MAP                    ABOUT                   NEWS                   FEATURED                   COMMERCIAL          



LAST CALL (2025)
An acid folk thriller
short film + multimedia installation

A fast riding motorcycle rebel indulges in her worst vices to avoid confrontation with a mysterious serpent woman who taps into her most grotesque fantasies.

2025  SXSW World Premiere
2025  Best Short Brooklyn Horror
2025
 The Locker Room Gallery - Snake Summer Group Show
2025  
4A Centre for Contemporary Asian Art Solo Exhibition

2025  Fantasia International Film Festival Canadian Premiere
2023  NFMLA NewNarratives Grant Winner
Made in support by
The Locker Room
4A Centre for Asian Contemporary Art
Lost Planet
Planet X Studios
Meerkat Media

Read more about it on
Nowness
Deadline
Women and Hollywood
Nightmare on Film Street

Produced by Art School Athletics
Amanda Krueger, Celia Au, Travis Wood

Co-Written with Andujar Twins







“Last Call centers the shapeshifting of otherness,
reframing the distorted reality found in the experience of displacement. “

- Nowness

"a pivotal work in modern feminist horror"

- Bloody Flicks

"Blumhouse, are you watching?"

- Nerds of Color







Last Call Insallation
at 4A Centre for Contemporary Asian Art


06 June 2025 -
03 August 2025
Sydney, Australia

woven tapestry, multimedia installation, sculpture, short film





Using techniques such as the Pepper’s Ghost illusion, the work bridges ancient storytelling traditions with contemporary technology, inviting reflection on transformation, identity, and the fragile boundaries between pleasure and pain, beauty and the grotesque. 








Soft drapings, deep red and magenta lighting, and handcrafted fabric vines create a surreal space that echoes the emotional landscape of Last Call.






Light and sound installations created in collaboration with Bethany Yeap, Yinuo Chen, and Daniel Rosato. Documentation photography by Christina Mishell &  Kai Wasikowski







Last Call, 2025. Stills from the short film. 
Single-channel video, colour, sound, 8:00 min.






The Locker Room
Snake Summer


July 2025 
Curated by Samara Bliss
The Locker Room


The snake has long operated as a symbolic site of projection—across religions, cultures, and disciplines. It is at once feared and revered, associated with knowledge and deceit, rebirth and temptation, healing and danger. Its meaning is unstable by nature: always shifting, always shedding.

This exhibition brings together artists exploring the serpent’s entanglement with power, pleasure, and survival through feminist, queer, and mythological frameworks. Snake Summer asks what it means to live with icons that refuse resolution—and what happens when we follow them into the heat.

Artists: Paul Anagnostopoulos, Faustine Badrichani, Saxon Brice, Winnie Cheung, Maisie Cousins, Jeffrey Dell, Hannah Epstein, Maya Fuhr, Tyler Goldflower, Dan Lam, Theo Rosenblum, Summer Wagner, Cloe Vriet, Marguerite Wibaux


Snake Summer 2026 
Single-channel video, colour, sound, wall-mounted monitor. 
The Locker Room, New York City
Photography by Maya Fuhr